All posts by Phil Gibbons

Grigori Rasputin (Volume 2, Episode 5, Part 2)

Rasputin, the wrong man in the right place.

Rasputin, later years

Rasputin routinely spent his summers in Pokrovskoe and June, 1914 found him back in his home town.  On June 29, Rasputin emerged from his house in order to hand a telegram to his postman.  He was greeted by a mysterious female stranger, dressed in black with a white kerchief over her features, only her eyes visible.  She silently bowed in front of him and Rasputin paused to reach for his wallet, thinking that she was a beggar in search of money.  The woman then produced a large dagger and rapidly stabbed Rasputin in the naval.  He fled with the stranger chasing him down the street, stopping only when Rasputin was able to knock her to the ground with a stick that was lying on the ground.  Both he and his wife screamed for help and a crowd quickly gathered, securing the attacker and taking her to jail.  Rasputin was taken into his home, losing consciousness and initially thought near death.

Prince Felix Yusupov and the Grand Duchess Irina

Yusopov continued to meet with Rasputin and then offered the ultimate bait, a visit to his home to meet Yusopov’s wife, Irina, an invitation that the lecherous Rasputin, having never met the glamorous and beautiful Irina, couldn’t conceivably turn down.  He didn’t.  Yusopov notified his conspirators that they would carry out their plan on December 16.  His wife would actually be at another family palace in the Crimea.

Grand Duke Dmitri

Several theories about the actual shooter have also evolved, the conspirators not wanting Grand Duke Dmitri, a royal, to have to take the blame for the murder.  Perhaps Yusopov or even Purishkevich might have initially wounded Rasputin, prompting the physically strong and probably intoxicated man to attempt to flee the palace. Whatever the sequence, a bullet into the forehead of Rasputin is what ultimately killed him.  Who actually shot him and exactly how will never be ascertained.

Basement Room Where Rasputin Was Attacked

The most familiar story of what ensued came from an account written by Yusopov in 1927.  Rasputin and the Prince entered the house from a side door and made their way to the cellar, sounds of music and voices supplying the background of the cover story.  Yusopov and Rasputin exchanged small talk, and the holy man ultimately ate the cakes and drank some Madeira, the prince becoming alarmed when the poisoned items seemed to have no effect. Rasputin began to grow impatient and made vague suggestions about knowing what Felix was up to.  Panicked, Yusopov went upstairs and retrieved the Grand Duke’s revolver.  He went back downstairs and after a few moments of hesitation told Rasputin to say a prayer and shot him in the midsection.

Moika Palace Courtyard, Rasputin Fled Through Small Lower Right Door

When the men returned, the group congratulated each other until Yusopov claimed he became concerned and wanted to make sure that Rasputin was actually dead.  The body was as they had left it, but suddenly Yusopov noticed that one eye was twitching.  As he moved closer, suddenly both eyes, “the green eyes of a viper” opened wide and Rasputin, foaming at the mouth, leapt to his feet and tried to grab Yusopov around the neck.  This from an individual who was shot in the midsection and allegedly poisoned with enough cyanide to kill a half a dozen men.  Yusopov managed to get away from Rasputin’s grasp and ran up the stairs, screaming for help.  The rest of the group quickly pursued Rasputin out into the side courtyard, the wounded staretz crawling on all fours, bellowing that he would tell the Tsarina everything.

Rigor Mortis Photo of Rasputin

Purishkevitch then drew his own revolver and put two more bullets into the lurching Rasputin, slowing him down until two more rounds finished the job.  The body was dragged back inside, quickly wrapped in a rug, driven to a bridge on the edge of the city and tossed into the freezing water.

Autopsy Photo Of Rasputin, Note Bullet Hole In Forehead

It would take divers to find the body, which had actually frozen to the bottom of the ice.  It was removed, photographed, placed in a wooden coffin and driven away in an ambulance.  Rasputin’s autopsy would ascribe the cause of death to gunshot, one in the chest, one in the back and one administered at close range directly into the forehead.  There was no poison in his system.  His face was horribly bruised, most of the damage probably administered by hitting the side of the bridge on the way into the river.

Dmitri and His Wife, 1930’s

Grand Duke Dmitri’s banishment to the Caucasus meant that he avoided the clutches of the vengeful Bolsheviks who murdered most of his relatives.  Via Teheran and the help of the British embassy he made his way to Europe.  Living first in England and then in Paris.  His major claim to fame was his subsequent relationship with prominent women, among them Coco Chanel.  Broke, he ultimately married a Cincinnati heiress, they divorced a decade later and Dmitri died of tuberculosis, aged 50, in 1942, in Davos, Switzerland.

Maria Rasputin, Circus Performer

Needless to say, Rasputin’s immediate family had a rough go of it after the revolution.  Their large house in Pokrovskoe was seized by the Bolsheviks, only Rasputin’s daughter Maria was safely able to emigrate to the west.  His wife, other daughter and son, all harassed by the Bolsheviks, were dead by 1933.  Maria was able to capitalize on her famous name and performed in cabarets and even as a circus performer.  She eventually settled in the Silver Lake neighborhood of Los Angeles, teaching foreign language and writing her memoirs, which only added more contrived melodrama to the Rasputin legend.  She died in 1977 and is buried in of all places, a cemetery on Venice Boulevard in metropolitan LA.

 

Georg Elser’s Bomb Plot To Kill Hitler (Volume 2, Number 4) Part One

Georg Elser’s failure is one of the most remarkable stories in European history.

Georg Elser, Circa 1939
Georg Elser, Circa 1939

The contrast between Adolf Hitler and Georg Elser could not have been more dramatic.  Hitler was a fanatically driven over achiever who had overcome his lower middle class background, lack of education and early personal failures to become one of the most charismatic and extroverted political figures of the twentieth century.  Elser was a simple woodworker, with an intermittent work history, an unmarried loner with little interest in politics or the world beyond the small towns of Southern Germany where he lived and grew up.  But, on November 8, 1939, the lives of these two individuals would intersect in a manner that today seems inconceivable.

Burgerbraukellar, After the War.
Burgerbraukellar, After the War.

November 8 was an important date in the history of Nazi Germany and the life of Adolf Hitler.  It was on this date in 1923, that Hitler rushed into Munich’s Burgerbraukeller beer cellar with a group of followers and attempted to disrupt a speech of one of the political officials charged with ruling the German state of Bavaria.  Behaving theatrically, Hitler leapt onto a table, fired a pistol shot into the air and proclaimed “The national revolution has broken out! The hall is filled with six hundred men, nobody is allowed to leave!”  Hitler’s poorly conceived revolt would end the next day, after a march of Hitler and his followers was fired upon by soldiers and police in Central Munich.

Hilter Addressing the "Alte Kampfers", Burgerbraukellar
Hilter Addressing the “Alte Kampfers”, Burgerbraukellar

Less than ten years after his release from prison, Hitler would be named Chancellor of Germany on January 30, 1933.    To commemorate the success of the Nazi party and the sacrifice and struggle of what he called his Alte Kampfers, “Old Fighters” who had been with him from the beginning, Hitler began a tradition of addressing this group at the site of the start of the Nazi political struggle, the Burgerbraukeller, annually on November 8.

Hitler, Burgerbraukeller, 1939, in Front Of Pillar
Hitler, Burgerbraukeller, 1939, in Front Of Pillar

Despite the outbreak of war on September 1, 1939 would be no different.  On November 8, Hitler flew with his entourage from Berlin, landed in Munich and in the early evening proceeded to the raucous hall jammed with Hitler’s most fanatical adherents.  Shortly after eight PM he proceeded to the dais in the reception hall, a giant Swastika flag draped on the massive pillar behind him framing Hitler dramatically.

George Elser’s Bomb Plot To Kill Hitler (Volume 2, Number 4) Part 2

Georg Elser’s failure is one of the most remarkable stories in European history.

Burgerbraukeller, After Explosion
Burgerbraukeller, After Explosion

At precisely 9:20, the first of George Elser’s clocks activated perfectly the bomb detonated with a tremendous blast that pulverized the speaker’s platform, shattered the pillar behind it and brought the roof of the building down upon its inhabitants.  Dust and debris filled the air, the room now shrouded in darkness with beams falling and screams for help.  Seven people were killed immediately, one would die later at the hospital.

Gestapo Headquarters, Berlin, Prinz Albrecht Strasse
Gestapo Headquarters, Berlin, Prinz Albrecht Strasse

Surprisingly, it took a while for anyone to connect Georg Elser with the bombing, but he was eventually brought to Munich.  Himmler was placed in charge of the investigation and he quickly delegated direct authority to his immediate subordinates.  By November 12, several employees of the Burgerbraukellar, including the manager who had confronted him in the storage closet incident, positively identified him as a habitual customer.  This was enough to bring on what could be termed “enhanced interrogations” essentially beatings that left him moaning and bloody according to one eyewitness.  Stuttgart Gestapo officer would descend on Konigsbrunn and quickly talk to the daughter of one of Elser’s benefactors who let him live in their home in exchange for carpentry.  She told of Georg showing her pictures of the Burgerbraukellar and his funny wooden suitcase with the false bottoms and his work at the quarry with dynamite.  This must have arched a few Gestapo eyebrows in Munich and intensified the physical thrashing typical when a suspect needs to make a confession.  Elser was eventually taken to Gestapo headquarters in Berlin.

Dachau, Crematorium Building
Dachau, Crematorium Building

On April 9, an SS officer came to Elser’s cell and ordered him to prepare for an interrogation.  Elser was confused, he had not been formally interrogated for many years, now so close to the end of the war, what questions could he possibly answer?  He walked out of his cell, escorted by another SS man who lead Elser in a general direction that might hopefully end at the camp entrance.  But suddenly the guard directed Elser along the path that lead to the crematorium in the rear of the camp.  Elser knew then that the end had come.

Georg Elser Plaque, Site of the Burgerbraukeller, Munich
Georg Elser Plaque, Site of the Burgerbraukeller, Munich

The Burgerbraukeller was finally demolished in 1979, ten years later a plaque would be installed at the site of the pillar where Elser’s bomb was detonated, a small square was named after Elser near the home in Munich where he stayed briefly before the attack.

Elser Memorial, Wilhelmstrasse, Berlin
Elser Memorial, Wilhelmstrasse, Berlin

In 2011, official recognition of Elser as a national hero was evidenced by the dedication of a fifty-five foot steel profile sculpture installed on the Wilhelmstrasse in Berlin.  Elser never set foot in the German capital, but today any pedestrian who passes by his memorial will have to pause and reflect on the remarkable determination and sacrifice of a simple man who only wanted to save his country.

Georg Elser’s Bomb Plot To Kill Hitler (Volume 2, Number 4)

The information for this podcast came primarily from two books:

Bombing Hitler, by Helmut Haasis

Bombing Hitler: The Story of the Man Who Almost Assassinated the Führer

The Lone Assassin, by Helmut Ortner

Lone Assassin: The Epic True Story of the Man Who Almost Killed Hitler

Georg Elser was interrogated many times by the Nazi government.  These interrogations were preserved which is why much of what he did is public knowledge and discussed in these books in detail.

 

Michelangelo (Volume 2, Number 3) Part 1

Michelangelo, the Eternal Genius

Michelangelo

Michelangelo Buonarroti-Simoni was born on March 6, 1475 in Caprese, Italy in Tuscany , about sixty miles east of Florence.  A month later his father moved the family back to the Tuscan capital.  Ludovico Buonarroti’s family were bankers and money lenders and despite the failure of the family bank, Michelangelo’s father managed assets and property that allowed an upper middle class existence.  He occasionally served as a bureaucrat and at the time of Michelangelo’s birth he was assigned to Caprese as an administrator within the local government.

michelangelo-pieta
The Pieta

in November of 1497, Michelangelo set out for Carrara and the marble quarries there that supplied the legendary stone for the region’s most important art works.  In his possession, he had a letter of introduction from the French cardinal to help him to procure the most magnificent marble available.  Michelangelo’s personal visit to Carrara was highly unusual, most customers merely ordered a certain amount of stone and had it shipped to Rome or Florence.  It would take six months before Michelangelo selected an appropriate block of material and it was not until August of 1498 that Michelangelo began work on his next project: The Pieta, a portrayal of Mary mourning the death of her crucified son, Jesus Christ.

The David
The David

Despite the success of the Pieta, Michelangelo decided to return to Florence in the Spring of 1501.  The specifics are not known but certainly his father would have encouraged such a move and the political climate would have quieted greatly after the removal and execution of Savonarola and the installation of a more stable government. Perhaps Michelangelo might have heard rumors that a major commission might soon be awarded concerning an ongoing project of the Overseers of the Office of Works of Florence Cathedral, The Operai.  This project was a series of Old Testament statues that were to adorn the exterior of the cathedral.  A figure of Joshua was sculpted by Donatello in 1410, and another figure of Hercules was added in 1463.  The Overseers then attempted to commission a sculpture of David, but the project ran into continual obstacles including the death of Donatello and by 1500, the massive block of marble intended to be the statue lay unfinished outside of the cathedral workshop.  Concerned that the valuable piece of stone would be damaged by continual exposure, the Operai decided to commission Michelangelo to finish the project.  He began work on September 13, 1501.  As the work progressed, one obvious problem presented itself.  Initially meant for the roof of the cathedral, the statue even when finished would weigh over six tons.  It couldn’t possibly be successfully lifted off of the ground.  The statue, with obvious symbolic overtones concerning the recent expulsion of the Medici and the establishment of a democracy, could be seen as a powerful statement of the determination of the small city-state to repel any incursion by its powerful neighbors.  Upon completion in May of 1504, the statue was placed in front of the then Palazzo della Signoria (today’s Palazzo Vecchio).  With its piercing glare turned in the direction of Rome as well as the Medici who were already scheming to retake control of the city, the David initially served a political purpose.

The Doni Tondo
The Doni Tondo

Michelangelo is said to have delivered the finished painting with a note requesting the payment of seventy ducats, Doni, a wealthy but financially astute merchant, sent back forty.  A typical artwork of this type would usually cost about ten ducats and Doni reasoned that forty was already a very fair price.  Michelangelo responded by demanding either one hundred ducats or the return of the painting.  Since Doni was happy with the work and it was meant to commemorate his marriage, he gave Michelangelo his original asking price of seventy ducats.  This time, Michelangelo demanded double the original price, one hundred and forty ducats.  Supposedly, Doni grudgingly paid up.  Such a tale is indicative of the self-image that the artist had developed as no mere tradesman.

The Bruges Madonna
The Bruges Madonna

Although he was always preoccupied with money and would have personal issues that impacted his output, Michelangelo would never have to struggle for work or commissions again.  In fact his reputation spread to the point where rulers of Venice, France and even Turkey attempted to retain his services.  All of these attempts failed.  However, during this time period a group of Flemish merchants were able to get Michelangelo’s attention and obtain the remarkable Bruges Madonna.  They did it by secretly outbidding Pope Julius II.  Unlike the Pieta, this statue depicts a younger Virgin and infant Jesus.  Approximately six feet tall, this ornate statue features much of the same intricate detail of the Pieta.  It also achieved the same artistic profile as some of Michelangelo’s most coveted and prestigious works.  The only Michelangelo sculpture to leave Italy during the artist’s lifetime, it was first seized by the French when Bruges was successfully invaded in 1794 and Napoleon decided that he would enjoy its company.  It was returned in 1815.  The Nazis also stole it in 1944, luckily it was not damaged before being retrieved by the Monuments Men from Hitler’s stash cave at Altaussee, Austria.

Sistine Chapel Detail, The Creation of Adam
Sistine Chapel Detail, The Creation of Adam

1508 would bring Michelangelo the most challenging assignment of his life.  He was paid 500 ducats by Julius to paint the ceiling of the chapel of Pope Sixtus, the Sistine Chapel.

Michelangelo (Volume 2, Number 3) Part 2

Michelangelo, the Eternal Genius

Pope Julius II, by Raphael
Pope Julius II, by Raphael

The relationship between Julius II and Michelangelo has been dramatized as a nasty battle of wills between two egocentric men.  In actuality, Michelangelo’s issue with the Pope stemmed from the reality that Julius’ main focus was to expand the territory of the Papal States and the ensuing warfare that would be required.  Michelangelo’s artistic projects would always be secondary to this fundamental.

Moses, St. Peter in Vincoli
Moses, St. Peter in Vincoli, Rome

As soon as the Last Judgment was completed the Della Rovere clan began agitating for a completion of Julius II’s tomb.  Luckily, Pope Paul wished to have Michelangelo focus on his own pet projects, namely a Vatican chapel dedicated in his honor.  The pontiff helped negotiate a new agreement that limited Julius’ tomb to three main sculptures, including the Moses.

Julius II Tomb, St. Peter in Vincoli, Rome
Julius II Tomb, St. Peter in Vincoli, Rome

This was accepted and the more modest tomb was brought to a anti-climatic conclusion in 1545, with the completion of two statues, Leah and Rachel, placed to the left and right of Moses in a two story facade installed in the Church of San Pietro in Vincoli, the parish of Julius II.  Although it has been described as the most impressive burial vault in Rome, Michelangelo summed up his perspective with one sentence “I lost the whole of my youth, chained to this tomb.”

Tomb of Lorenzo Il Magnifico, Medici Chapel, Florence
Tomb of Lorenzo Il Magnifico, Medici Chapel, Florence

With the ascendance of Giovanni as Leo X, Michelangelo’s brother Buonarotto achieved a prominent position within the Florentine government.  Members of the Medici clan clamored for Michelangelo to return to his hometown and begin work on the unfinished facade of their parish church.  A commission was formally offered, enormous amounts of marble were selected and ordered and a wooden model of the new facade was constructed.  Just as work was to begin, Lorenzo de Medici, grandson of Il Magnifico and the most enthusiastic supporter of the project, died suddenly.  Pope Leo X took another look at the probable expenses and cancelled the project, suggesting that a modest tomb be substituted.  The tomb would evolve into the Medici Chapels, burial place of four members of the ruling family, including Lorenzo, Il Magnifico.  Michelangelo would have to settle on spending the next two years on this project, also sweating out the death of Leo X and a new pope, Adrian VI, a reformer who bandied about the idea of destroying the Sistine chapel murals.

Minos, The Last Judgment, Sistine Chapel, Vatican City
Minos, The Last Judgment, Sistine Chapel, Vatican City

When Michelangelo refused new commissions from the Pope claiming his contract with Julius heirs’ forbade it until the troublesome tomb was complete, Paul III interceded and helped renegotiate the agreement.  This allowed Michelangelo to work on another project, a fresco on the altar wall of the Sistine Chapel.  Conceptually discussed with Clement VII as a depiction of the Resurrection, Michelangelo reconsidered and focused his creation on the the Last Judgment.  Twenty-five years after finishing his previous work on the chapel, Michelangelo presented a different kind of painting.  This work contained a wide range of emotion, depictions ranging from the sublime to the grotesque, and a focus on nudity that accentuated sensuality.  This groundbreaking depiction of such a religious theme was controversial and at least one church official, Biagio da Cesena commented, “it was mostly disgraceful that in so sacred a place there should have depicted all of those nude figures, exposing themselves so shamefully.”  He added that the work was more appropriate for a public bath or a tavern.  Da Cesena’s reward for his art criticism was his depiction in the lower right corner of the painting, as Minos, judge of the underworld.  To underline his contempt, Michelangelo added donkey ears, and a serpent biting Minos’ testicles.

Detail, Sistine Chapel, St. Bartholomew and Likeness of Michelangelo, Vatican City
Detail, Sistine Chapel, St. Bartholomew and Likeness of Michelangelo, Vatican City

Michelangelo himself was not above ridicule in this depiction of symbolic judgment.  In a central part of the fresco, St. Bartholomew is depicted holding a knife and the skin that represents his death by being skinned alive.  This layer of skin has retained a human form and the head adorning this mass is clearly the tortured, gnarled face of Michelangelo.  It would not be until the 1920’s that this detail was noticed.

Michelangelo's Tomb, Santa Croce, Florence
Michelangelo’s Tomb, Santa Croce, Florence

Leonardo knew that the current Pope Pius IV would insist that Michelangelo be enshrined at the finished St. Peter’s Basilica and he was determined to return him to Florence, which was his uncle’s wish.  Leonardo hired a cart to surreptitiously and unceremoniously transport the wrapped body back to Tuscany, a trip that took eleven days.  Michelangelo was interred with great fanfare in the Basilica of Santa Croce, in Florence, in an elaborate vault sponsored by both Cosimo de Medici and Giorgio Vasari.

Michelangelo, (Volume 2, Number 3) Bibliographical Information

The information for the Michelangelo podcast came primarily from two books:  “Michelangelo”, by Howard Hibbard

Michelangelo 2ND EDITION

and “Michelangelo, The Artist, The Man and His Times”, by William Wallace

Michelangelo: The Artist, the Man and his Times

 

 

Harriet Tubman (Volume 2, Number 2)

Harriet Tubman, righteous heroine

Harriet Tubman
Harriet Tubman

Harriet Tubman was born Araminta Ross in the eastern shore region of Maryland in 1822.  Her exact date of birth remains unknown.  Both of her parents were slaves, Harriet (Rit) Green and Ben Ross.

John Brown
John Brown

The summer of 1859 also brought a resumption of John Brown’s plan for rebellion.  He was already gathering assets in Chambersburg, Pennsylvania in anticipation of his planned attack on the Federal arsenal at Harper’s Ferry, Virginia.  His plan was to seize the arsenal and armory, incite local slaves to join his rebellion and spread a slave revolt as effectively as possible.  Brown was fanatically opposed to slavery with an opposition rooted in a deep religious fervor.  He considered himself a divine instrument intent on imposing punishment on those conducting the sinful practice of slavery.  Based on his interaction with Harriet Tubman, Brown fully expected her to join his effort.  He repeatedly attempted to contact her to no avail but he did meet with Frederick Douglass in Chambersburg.  When Douglass realized that Brown was intent on attacking a federal arsenal he told him that “he was going into a perfect steel trap, once in, he would not get out alive.”

St. Gaudens Panel Commemorating 54th Volunteer Massachusetts Regiment, Monument is situated on the Northeast Corner of the Boston Common
St. Gaudens Panel Commemorating 54th Volunteer Massachusetts Regiment, Monument is situated on the Northeast Corner of the Boston Common.

Harriet Tubman also aided in the celebrated 54th Massachusetts Volunteer Regiment in its participation in the attack on Fort Wagner in Charleston Harbor on July 19, 1863.  The 54th was one of the first African-American regiments assembled during the Civil War.  Commanded by a white abolitionist, Colonel Robert Gould Shaw, the 54th was in the vanguard of the assault on Fort Wagner, a heavily fortified beachhead that was part of the defensive infrastructure protecting the harbor of Charleston, South Carolina.  After a lengthy bombardment, the Regiment began a frontal assault on the fort.  Despite heavy losses, the 54th was able to briefly seize part of the south wall but heavy hand-to-hand combat and artillery fire pushed the unit back.  Other Union regiments also attempted to breach the fort around its perimeter but were repulsed with terrible losses.  An estimated 1,500 hundred Union troops were killed, wounded or captured.  The 54th lost over two hundred and fifty men.  Robert Gould Shaw was killed in the initial storming of the fort and buried in a common grave with his fellow black soldiers.  While the grave was eventually washed away by storms and the remains of these soldiers disappeared, the heroic story of Gould Shaw and his men has been immortalized in the film “Glory.”

William Seward, US Senator and Secretary of State
William Seward, US Senator and Secretary of State

Five days after the armistice at Appomattox, President Lincoln was assassinated and Harriet’s benefactor Secretary of State William Seward was incapacitated by an assailant involved in the same plot.  Although Seward would survive and even attempt to help Tubman in her attempts to receive back pay, she eventually decided to head back to her home in Auburn, NY.

Harriet Tubman, Bibliographical Information

The information for this podcast came from primarily two books:

Bound For the Promised Land, by Kate Clifford Larson

Bound for the Promised Land: Harriet Tubman: Portrait of an American Hero

and Harriet Tubman, The Road to Freedom by Catherine Clinton

Harriet Tubman: The Road to Freedom