The books that provided the back ground for this podcast included:
“The Bismarck, 1941: Hunting Germany’s Greatest Battleship,” and
“Bismarck: The Final Days of Germany’s Greatest Battleship,” by Niklas Zetterling.
The music used in the intro of part one and outro of part two was:
“Broken Promise,” by Jimena Contreras, and
The outro in part one and intro in part two was:
“Standoff,” by Density and Time.
The books used to compose this podcast included:
“Vermeer: The Complete Paintings,” by Walter Liedtke and
“Vermeer,” by Roberta D’Adda.
The music used in the part one intro and part two outro was:
“Music Box,” by Brian Bolger.
The music in the part one outro and part two intro was:
“Harpsichord Fugue,” by Sir Cubworth
The books used to compose this podcast included:
“The Falcon and the Snowman,” and “The Flight of the Falcon,” both by Robert Lindsey, and
“American Sons,” by Christopher and Cait Mills Boyce and Vince Font.
The music used in the Part One intro and Part Two outro was:
Babylon – Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.https://creativecommons.org/licenses/by/4.0/
Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100314
Artist: http://incompetech.com/
Disco Knights by Quincas Moreiras
The books used in composing this podcast included:
The Theodore Roosevelt biographical trilogy, by Edmund Morris.
“When Trumpets Call: Theodore Roosevelt After the White House,” by Patricia O’Toole.
“Theodore Roosevelt and the Assassin,” by Gerard Helferich.
The intro to both parts one and two is “Bravura,” by the US Army Band.
The outro to both parts one and two is “Fallen Soldier,” by Biz Baz Studio.
The books used in this podcast included:
“The Last Emperor of Mexico,” by Edward Shawcross, and
“Maximillian and Carlota: Europe’s Last Empire in Mexico,” by M. M. McAllen
The music in both intros was: “Funeral in Sinaloa,” by Jimena Contreras
The music in the outros was: “Outlaw’s Farewell (Part 1),” by Reed Mathis
The books used to develop this podcast included:
“Escaping Alcatraz,” by Michael Esslinger, and
“Breaking the Rock,” by Jolene Babyak.
The music used in this podcast included:
For both episode intros: “Put It,” by Track Tribe, and
Part One outro: “Smoke,” by Lish Grooves, as well as,
“The Black Cat,” by Aaron Kenny
The book used in this episode was:
“Stealing the General,” by Russell S. Bonds
The music used in the intro of this episode was, “Blast Off to Glory,” by Media Right Productions, and in the outro, “Eyes of Glory,” by Aakash Gandhi
The books used to compose this podcast included:
“Truly, Madly,” by Stephen Galloway.
“Olivier,” by Terry Coleman.
“Vivien Leigh,” by Hugo Vickers
The music used in this podcast included:
Intro, parts one and two: “Night Shift,” by National Sweetheart.
Outro, part one: “Inconsciousness,” by Mini Vandals.
Outro, part two: “Natural Light,” by Chris Haugen
The books used in assembling this podcast include:
“Butch Cassidy: Beyond the Grave,” by W. C. Jameson and
“Digging Up Butch and Sundance,” by Anne Meadows.
The intro music in both episodes is, “Cattle,” by Telecasted and
the outro music is, “Snowy Peaks, Part One,” by Chris Haugen
The books used in the making of this podcast included:
“The Winter Fortress,” by Neal Bascomb,
“Skis Against the Atom,” by Knut Haukelid,
and “Assault in Norway,” by Thomas Gallagher.
The music used in both episode intros was, “Over the Mountain,” by The Mini Vandals.
The music used in both episode outs was, “Snowy Peaks, Part II,” by Chris Haugen
