Tag Archives: Cinco de Mayo

The Brief and Tragic Reign Of Maximillian I, Emperor of Mexico. (Part Two)

 

Carlota, in Mexican garb
Pope Pius IX
Napoleon III and his wife, the Empress Eugenie, 1865
The chapel built on the Hill of the Bells, Maximillian’s execution site in Queretaro
Eduard Manet’s, “Execution of the Emperor Maximillian,” inaccurately depicting Maximillian in the center, wearing a sombrero. His executioners are symbolically wearing French infantry uniforms and the soldier loading his rifle is similar in appearance to Napoleon III. The painting was publicly banned in France.
Maximillian’s sarcophagus in the Hapsburg Imperial Crypt, Vienna.
Maximillian I, death mask.
Maximillian’s embalmed corpse, photographed in Mexico.
Carlota, 1914
Bouchout Castle, Belgium. Final home of Carlota.

Like something out of a fairy tale, in 1864, a European power installed an Austrian nobleman as Maximillian I, Emperor of Mexico, ultimately resulting in tragedy, madness and execution.

This episode unravels the ambitious plot by Napoleon III to install a European monarch in the New World, and the tragic consequences that followed. From Habsburg royalty to Mexican ruler, Maximilian’s journey is filled with political intrigue, cultural clashes, and personal struggles. Learn how this idealistic prince found himself caught between European imperialism and Mexican nationalism, ultimately leading to his downfall. Perfect for history buffs and fans of untold stories, this bite-sized biography brings to life a chapter of history often overlooked in textbooks. Dive into the world of 19th-century politics, royal ambitions, and the clash of empires. Like, subscribe, and explore more fascinating figures you thought you knew – or never knew existed!

The Brief and Tragic Reign of Maximillian I, Emperor of Mexico: Book and Music Information

The books used in this podcast included:

“The Last Emperor of Mexico,” by Edward Shawcross, and

“Maximillian and Carlota: Europe’s Last Empire in Mexico,” by M. M. McAllen

The music in both intros was: “Funeral in Sinaloa,” by Jimena Contreras

The music in the outros was: “Outlaw’s Farewell (Part 1),” by Reed Mathis